The Icelandic Pirate Party and the Search for a New Democracy

Inside a modernist warehouse alongside the ocean in Reykjavík, Iceland’s capital city, four men sit around a table discussing the country’s drug policies. A skull-and-crossbones flag adorns the wall and a cheap blow-up sword hangs over one door frame. Though they aren’t wearing eyepatches or hunting for treasure, these Icelanders call themselves Pirates, and they are drafting policy for a new, insurgent political party, the Pirate Party.

Started as a Swedish movement in 2006, the Pirate Party advocated for copyright reform and freedom of access to information. It championed whistleblowers and defended WikiLeaks. After expanding its platform to include civil liberties and direct democracy, the party grew: it now boasts chapters in approximately 60 countries.

Although the Pirate movement only spread to Iceland in 2012, the Icelandic Pirate Party is the most successful branch: it was the first to gain representatives in a national parliament. In 2013, with 5.1 percent of the vote, the Pirates took three seats in Iceland’s legislature. And despite its small numbers in parliament, the party spearheaded a repeal of Iceland’s 1940 blasphemy law — a substantial victory for free-speech advocates.

Over the past year, the Pirates have steadily risen in the polls, regularly netting one-third of the support — a significant plurality in a country with six political parties represented in the parliament. If their support holds, the Pirates could push the center-right coalition out of office in the fall elections.

“The Pirate Party is successful because we have actually proven ourselves to be human,” says Ásta Helgadóttir, 26, one of the Pirate Party’s representatives in parliament. “We are not trying to be politicians.”

Iceland’s Pirates are not alone. Disaffected citizens on both sides of the Atlantic and both sides of the ideological divide — from the Tea Partiers to the Feel-the-Berners, from the Leavers of Britain to Spain’s Podemos and Nuit Debout in France — have promoted insurgent campaigns, attempting to reinvigorate democracy and bring representation into the 21st century.

The manner in which these political movements choose to build trust, says Helgadóttir, is critical.

“You can [build trust] with authority, with ultra-nationalism, the way that Poland and Turkey are going right now,” she says. “You tell people, ‘I have control, everything is going very well. So you should trust me.’” Or, she continues, you provide “a democratic alternative.”

By utilizing the internet to crowdsource policy, the Pirates have chosen the latter path: members can submit proposals for a partywide vote. Such open-ended collaboration has even allowed for ideological diversity within the party, eschewing the traditional left-right divide.

“Almost everyone [in the Party] believes different things than me,” says Ólafur Torfi Yngvason, who attended his first Pirate meeting in July. “That’s the whole point of the Pirate Party. They’re not trying to be anywhere on the political axis; they’re a collection of people.”

The notion that a party could transcend political infighting has captured the attention of many Icelanders, who have an understandable distrust of the political establishment. In 2008, Iceland’s banks — which had ballooned under reckless speculation, foreign-currency borrowing, and absent regulations — collapsed, leaving the economy in shambles. Public confidence in the political system plummeted. Suddenly, corruption was real and prevalent.

Then, in April, the Panama Papers implicated Prime Minister Sigmundur Davíð Gunnlaugsson for funneling personal finances into offshore accounts. Gunnlaugsson failed to disclose such expenditures to parliament, an illegal act under Icelandic law.

Icelanders took to the streets in the nation’s largest-ever protests and forced Gunnlaugsson to resign, though his Progressive Party stayed in power. Following the scandal, the Pirates were polling as high as 43 percent, whereas the Progressives found themselves at 6.5 percent.

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The leftist parties were always a part of the game.

— Ásta Helgadóttir